Ana Gnjatović is a Belgrade-based composer, sound- and multimedia artist, collecting and combining found items, works, concepts, and ideas that lend themselves to generalization, translation, interpretation, and sonorization. She finished her Ph.D. studies in composition at the University of Arts in Belgrade.
She has attended various composition masterclasses and workshops, working with composers Georges Aperghis, Louis Andriessen, Franck Bedrossian, Chaya Czernowin, Brian Ferneyhough, Ivan Fedele, Beat Furrer, and G.F. Haas, among others. She was a prize winner of the Summer Academy ISA05 (2005) and of the 7th Pre-art Compositon Competition (2013), winner of the FoM Belgrade ‘Josip Slavenski’ award (2010), finalist of the 4th International Biennial of Contemporary Music in Koper (2014).
Her pieces have been performed throughout Europe, in Israel, Mexico, USA and Japan, and have been programmed at festivals such as the International Review of Composers, KoMA, ‘Harpsichord – Living Art’, Wratislavia cantans (PL), Espressivo (ME), Ankara Music Festival (TR), MusMA Festival, Culturescapes (CH), International Harp Festival ‘Harp Connection’, Festival de Wallonie (BE), MUSLAB (MX), MA/IN MAtera INtermedia festival (IT), Belgrade Saxperience.
She has collaborated with ensemble Sentieri selvaggi, E-MEX, soloists of the OENM, pre-art, RTS Symphony Orchestra, Wroclaw Philharmonic Choir, among others.
Ms. Gnjatović is currently employed as associate professor at the Faculty of Arts Univeristy of Kosovska Mitrovica, where she teaches music analysis. At the doctoral program Multimedia Arts of the Universtiy of Arts in Belgrade she teaches courses in techniques and technologies of music and creation of multimedia artwork.
In her recent artistic research, she explores the extension of instrumental performance through the use of electronics, speech, movement, video.
She has attended various composition masterclasses and workshops, working with composers Georges Aperghis, Louis Andriessen, Franck Bedrossian, Chaya Czernowin, Brian Ferneyhough, Ivan Fedele, Beat Furrer, and G.F. Haas, among others. She was a prize winner of the Summer Academy ISA05 (2005) and of the 7th Pre-art Compositon Competition (2013), winner of the FoM Belgrade ‘Josip Slavenski’ award (2010), finalist of the 4th International Biennial of Contemporary Music in Koper (2014).
Her pieces have been performed throughout Europe, in Israel, Mexico, USA and Japan, and have been programmed at festivals such as the International Review of Composers, KoMA, ‘Harpsichord – Living Art’, Wratislavia cantans (PL), Espressivo (ME), Ankara Music Festival (TR), MusMA Festival, Culturescapes (CH), International Harp Festival ‘Harp Connection’, Festival de Wallonie (BE), MUSLAB (MX), MA/IN MAtera INtermedia festival (IT), Belgrade Saxperience.
She has collaborated with ensemble Sentieri selvaggi, E-MEX, soloists of the OENM, pre-art, RTS Symphony Orchestra, Wroclaw Philharmonic Choir, among others.
Ms. Gnjatović is currently employed as associate professor at the Faculty of Arts Univeristy of Kosovska Mitrovica, where she teaches music analysis. At the doctoral program Multimedia Arts of the Universtiy of Arts in Belgrade she teaches courses in techniques and technologies of music and creation of multimedia artwork.
In her recent artistic research, she explores the extension of instrumental performance through the use of electronics, speech, movement, video.